The consultation process is typically 15-30 MIN. Payments are per session (pay as you go). We accept all major credit and debit cards, cash and e-transfers.

We offer complimentary consultations prior to booking for your peace of mind.Ī fifty percent (50%) deposit is required for anything 3x3” and is determined by the artist’s hourly rate. In the event of a last minute or change of heart cancellation, your deposit is forfeited.īooking over the phone or by email available. We ask for two (2) weeks notice prior to your first appointment when transferring artists.Īs a courtesy to your artist, a minimum of 72 HRS notice is required to reschedule your appointment which must be done over the phone during business hours. The needle backings are kept and attached to every client intake form, then stored electronically.ĭeposits are applied to the cost of your tattoo on your final session and transferable between artists. We put our needles into Biohazard sharps containers after each client and ensure they are properly disposed of. We have a state-of-the-art sterile facility where stations and client areas are sanitized with industrial-grade disinfectant after EVERY client.Īll items on site are 100% disposable, SINGLE USE ONLY. We use nitrile gloves for those with latex allergies.Īll inventory is logged into a records book with lot numbers and expiration dates to ensure freshness of all products. Rain Ceasing in Early Spring 暮春雨霁, Fan Chang Tien (Calligraphy by Wu Yongliang).We have AED/CPR certified individuals on site at all times. Speakers: Mr Teo Han Wue, Mr Ho Sou Ping, Mrs Teresa Yao, and moderated by Mr Tan Yong Jun This exhibition will be complemented by a publication that catalogues the exhibited artworks, as well as a ticketed talk about the early Singapore art scene by Director and Founder of artcommune gallery, Mr. His students continue to dot Singapore’s canon of artists, including Ling Cher Eng, Nai Swee Leng, Lim Kay Hiong, Chua Ek Kay, Henri Chen Kezhan, and Chuan Keng Boon. In Singapore, his continued practice in the Lingdong style (itself a regional take on the Shanghai School, Haipai, inflected with Lingnan aesthetics) and strong artistic lineage (his teacher Wang Geyi was then seen as the inheritor of the Haipai master, Wu Changshuo) led Fan to become a highly sought-after teacher for aspiring ink artists. With increasing unrest in China, Fan became one of many diasporic intellectuals that shaped overseas Chinese societies in the mid-20th century, moving first to Bangkok, Thailand, then Singapore. He founded the Lingdong School of Art in the 1930s with other prominent Teochew artists. The showcase features more than 20 artworks of various subjects completed between the 1950s and the 1980s by Singapore’s pioneer ink artist, Fan Chang Tien (1907–1987).īorn in Guangdong, China, Fan was among the group of Teochew intellectuals (including Professor Jao Tsung-I) that sought to combine regional pride with nationalist sentiment. Proudly presented by artcommune gallery, Fan Chang Tien: The Timeless Ink Heritage follows the success of the exhibition, Fan Chang Tien: Homecoming of a Heritage, which was held in August 2019 at the China International Cultural Exchange Centre (CICEC) in Beijing, China, under the auspices of the Singapore China Friendship Association and the CICEC.

Timeless ink